SANJAY PANDITA
The history of Indian music is rich with tales of maestros whose genius continues to resonate across generations. Yet, hidden in its folds are stories of unsung heroes—artists whose talent and dedication were overshadowed by the injustices of time and circumstance. One such figure is Kakaji Safaya, a multifaceted artist—a composer, singer, instrumentalist, and mentor—whose life exemplifies passion, resilience, and an unyielding love for music.

Tragically, the plight of such unsung heroes is not confined to the past. Even today, many gifted artists face discrimination and systemic injustice, especially in regions like Kashmir. These individuals, who are the custodians of a priceless cultural legacy, often struggle to find the recognition and support they deserve. Despite their mastery of their craft, they grapple with socio-economic challenges, marginalization, and an indifferent system that fails to honor their contributions.
The life of Kakaji Safaya, though marked by significant milestones, is ultimately a sobering reflection of this harsh reality. . His brilliance, like that of many others, was dimmed by the shadows of favoritism and neglect—a reminder of how easily true talent can be overshadowed in a world that often rewards connections over creativity.
Kakaji Safaya was born on November 22, 1947, in Srinagar, amidst the enchanting beauty of the Kashmir Valley. The cultural richness and natural serenity of the region shaped his early years, fostering an innate connection to art and music. Though his family lived modestly, their appreciation for music was profound. Kakaji’s father, despite lacking formal training, had a passion for classical melodies, which subtly influenced the young boy. His elder brother’s impromptu singing and the folk tunes of wandering sadhus added to the tapestry of sounds that filled his childhood. Yet, the most formative influence came from a rare luxury—a neighbor’s radio. Through this, Kakaji was introduced to the golden voices of Talat Mahmood and other legends, sparking a deep, lifelong fascination with music.

Kakaji completed his initial education in Srinagar before his family relocated to Jammu. He pursued his higher studies at MAM College, where his academic success ran parallel to his growing passion for music. Despite his inherent shyness, Kakaji took his first steps toward performance during his college years.
In 1964, a young Kakaji Safaya stood before an audience for the first time, his voice resonating with patriotic fervor as he sang before the then Chief Minister of Jammu and Kashmir, G.M. Sadiq. It was a humble yet profound beginning, marking the first step in a journey laden with artistic triumphs, personal struggles, and an undying passion for music.
By 1969, his talent had blossomed further. Representing his college, MAM Jammu, in the Inter-College Ghazal Competition at the Ghalib Centenary Program held at Women’s College Parade in Jammu, he clinched the first position, a testament to his growing prowess. In the same year, he became the sole college student to participate in a university mushaira, where his soulful rendition earned him the top spot. His voice soon graced the presence of dignitaries such as Bhagwan Sahai, the then Governor of Jammu and Kashmir. Yet, amidst these achievements, a cruel twist of fate struck—he lost his voice. Doctors, unhopeful of recovery, offered little solace.
Defying despair, Safaya relocated to Kashmir, a decision that defied his parents’ wishes but marked a turning point in his life. Here, he became the disciple of Pandit J.N. Shivpuri, the founder of Prem Sangeet Niketan, Kashmir’s first premier music institute, which taught Hindustani Classical music and was the first of its kind in spreading and training the same. Under Shivpuri’s mentorship, not only did Safaya rediscover his voice, but he also found his calling in classical music. Within a year and a half, he began performing classical ragas on Radio Kashmir Srinagar as a regular artist. However, when he sought opportunities as a composer, favoritism denied him his due.
Undeterred, he continued performing, his talent garnering accolades and honors from luminaries such as Karan Singh, Chandra Swamy, and Swami Nagpal. Their appreciation extended to cash prizes and offers of support, but destiny seemed intent on testing him. When doors closed, Safaya sought refuge once more with his guru. Pt. J.N. Shivpuri who encouraged him to teach, and in 1977, Safaya founded the Institute of Indian Film Music, initially operating from a small room and later shifting to Somyar Temple.
His groundbreaking effort came in the form of a benefit program for the Andhra Relief Fund at T.T. College Srinagar, where he introduced a full orchestra composed entirely of his students. The program was a resounding success, catching the attention of Ashok Jailkhani of Doordarshan. Invited to perform live with his orchestra, Safaya composed two songs, which were performed by the legendary Vijay Malla. This marked the beginning of his association with Doordarshan, where he composed for serials and documentaries, including works by renowned producer C.K. Hakhu.
Safaya’s compositions graced the Kashmiri film Nazo, with celebrated singers like Vijay Malla, Aarti Tikoo, and Kusum Lata lending their voices to his melodies. He also orchestrated grand sangeet sammelans at his institute, inviting eminent classical artists such as Pt. Rajan and Sajan Mishra, and Ustad Hafiz Ahmed Khan. The esteemed Harivansh Rai Bachchan once inaugurated one such event, a testament to Safaya’s growing influence in the world of music. The man who contributed and was responsible for these sammelans was none other than the famous vocalist Mr. V.P. Dhar.

Collaborating with luminaries like Ashok Jailkhani and M.K. Raina, Kakaji composed timeless pieces such as Raha Kinare Baith, a melody infused with the soul of Kashmir. His work on the documentary Little Impressions of Kashmir and Ladakh earned international acclaim, including a certificate of honor from the Ethnological Film Company of Holland. Kakaji’s compositions for cultural events, sangeet sammelans, and documentaries showcased his versatility and creative brilliance.
Kakaji’s legacy in the world of music is nothing short of extraordinary. His immense contributions as a teacher, composer, and instrumentalist have left an indelible imprint on the cultural landscape, and his unwavering dedication to nurturing talent has shaped some of the finest musicians of our time. The journey of Kakaji as a music maestro began with his profound understanding of Hindustani Shastriya Sangeet, which he used as a foundation to groom the legendary singer Vijay Malla ji. Kakaji was the first guru to introduce Vijay Malla ji to the intricacies of classical music, guiding him with precision and care. Under his tutelage, Malla ji not only mastered the depths of Hindustani music but also brought Kakaji’s own compositions to life, rendering them with unparalleled emotion and grace. The bond between guru and shishya became a testament to Kakaji’s brilliance as a mentor and composer, as Vijay Malla ji’s renditions immortalized Kakaji’s creations.
Kakaji’s influence extended far beyond a single student, reaching a multitude of aspiring artists who went on to make significant contributions in their respective fields. Mukhtar Ahmad, a celebrated sitar player and instructor at Women’s College, M.A. Road, attributes his foundational training to Kakaji. Similarly, Imtiyaz Majid Malik, now the Head of the Tabla Department at the University of Kashmir, began his illustrious musical journey under Kakaji’s guidance. Among his illustrious disciples is Mohammad Amin Lala, an accomplished violinist approved by All India Radio and the award-winning author of the book Kitab-ul-Mosiqui. Kakaji’s teachings played a crucial role in shaping Lala’s violin mastery and his deep understanding of music. The Pandita brothers, Ashwani Pandita and Vinod Pandita, also owe their profound knowledge and musical prowess to Kakaji’s dedicated mentorship at his institute. Vocalists such as Naina Saproo and Usha Kher, known for their exceptional talents, began their musical odysseys under Kakaji’s watchful eye, further enriching the legacy he built as a teacher.
As a composer, Kakaji reached remarkable heights, leaving an indelible mark with his timeless creations. His collaboration with the renowned poet Rehman Rahi brought Kakaji to the forefront as a university-level music coach. It was here that Kakaji composed some of his most celebrated works, including the iconic University Tarana. This stirring anthem, which continues to be sung in its original composition, remains a source of pride and inspiration for generations of students. Another masterpiece, He Moj Kashir, captures the soul of Kashmir with its evocative melody, earning Kakaji widespread acclaim and admiration. These compositions not only showcased Kakaji’s unparalleled genius but also solidified his place as a revered figure in the realm of music.
Despite his accomplishments, Safaya faced persistent setbacks. His attempts to secure a stable position were met with rejection, even at Radio Kashmir Srinagar. Approved as a music composer by All India Radio in 1980, he ventured to Mumbai in 1986, seeking new opportunities. Here, he studied violin and santoor under the tutelage of Shiv Kumar Sharma and his senior disciple, Rattan Lal Tickoo. Though he composed for projects like Inquilab and Idhar Bhi Udhar Bhi, success remained elusive.
In the shadow of his darkest moments, he discovered an unyielding light in teaching, channeling his pain into purpose. From this resolve was born a music institute in Navi Mumbai, a sanctuary where the soul of melody found its voice. The institute blossomed into a haven for aspiring musicians, offering training in the intricate beauty of Indian classical music, the harmonies of Western traditions, and the vibrant rhythms of film compositions. It stood not only as a temple of learning but as a living testament to his resilience and undying devotion to his art.

Over the years, his journey intertwined with the voices of legends. At All India Radio, Mumbai, he recorded the timeless renditions of celebrated artists like Bhupendra Singh, Suresh Wadkar, and Shila Joshi. These collaborations etched his name further into the annals of Indian musical heritage. Today, as an approved composer for All India Radio Mumbai and Doordarshan Mumbai, his work continues to resonate across the airwaves, a bridge between tradition and innovation.
For two decades, he has lent his genius to the Ryon International School organization, composing music and performing across the breadth of the country. His melodies have traveled far and wide, bringing together hearts and inspiring young minds to dream in the language of music.
Kakaji Safaya’s life is a symphony of perseverance, a melody that rises above the storms of adversity. Through trials and triumphs, his unwavering dedication has left an indelible mark on the cultural tapestry of India. His story is not merely one of survival but of transcendence—a legacy that sings to the power of resilience and the boundless grace of art.
The writer can be reached at sanjaypanditasp@gmail.com.